Disney News Magazine Summer 1970

SUMMER 1970

Disney New SUMMER 1970

OFFICIAL MAGAZINE FOR MAGIC KINGDOM CLUB FAMILIES

Vol. 5, No. 3
June, July, August 1970
Editor — Paul Kledzik
Art Editors — Paul Brewer
Walt Sorensen

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$1.00 for one year (4 issues) in the
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United States.

*1970 Walt Disney Productions.
DISNEY NEWS is published four
times yearly by Walt Disney Pro-
ductions, Disneyland Division
All rights reserved. Reprint of
material only upon written
approval of the copyright owner,
1313 Harbor Boulevard, Anaheim,
California 92803.

COVER STORY: A Disneyland
kind of summer has a magic all its
own. It’s a summer filled with
bursting fireworks, special enter-
tainment, and family fun. Hiroshi
Matsuoka’s cover photo has cap-
tured the fireworks, and we'll pre-
view the special entertainment on
pages 12 and 13. You and your
family can have the fun.

CONTENTS

Articles Page
Bisneyoni Paradame rte ceerene eee c+<c+ += 2
Walt Disney World: Phase One 4
Disney Goes To School ........... 8
As Fehe Boatrikgunt eke cle wae aactene 1
This Year, It's Super Summer . 12
Hey, What Time Is It? 0.2... 0.0cceeeeeeee es 14
Club Manager's Report 16
Summer Ticket Information 16

Magic Kingdom Club Summer Calendar

LADIES
AND
GENTLEMEN...

Walt Disney Productions and
the National Broadcasting Company
are proud to present...
the most magical, musical, colorful show
ever to appear on an arena floor...

Disney on Parade is something
entirely new in arena entertainment.
It’s an explosion of colors and sounds
that transforms an ordinary arena
floor into a wonderful world of fan-
tasy and magic

You'll see Mickey Mouse and
friends Donald Duck, Pluto, and
Goofy, the zany antics of a silly White
Rabbit and a girl named Alice, the
magnificent ballroom scene from
Cinderella, parading wooden sol-
diers, walking cards, Peter Pan and
his rival Captain Hook, and Snow
White and the Seven Dwarfs.

The production, which first
appeared in Chicago on Christmas
Day, has been wildly applauded
since it began its cross country and
Canadian tour, and has set “smile
records” in cities such as Pittsburgh,
Syracuse, St. Louis, and Cleveland

With the help of giant teacups,
dancing flowers, bursting cannons,
backfiring cars, acrobats, music,
strobe lights, 500 beautiful costumes,
and over 100 famous Disney charac-
ters, the magical world of Disney will
come to life right before your eyes.
And it’s coming to the Southern Cali-
fornia area this summer!

Disney on Parade will be appear-
ing at the International Sports Arena
in San Diego from June at the
Los Angeles Sports Arena from June
10-28; and at the Anaheim Conven-
tion Center starting July 1 for an
extended run during the summer. %g

SPECIAL

MAGIC KINGDOM CLUB

OFFER

MAGIC KINGDOM CLUB MEMBERS: Special
discounts are available for Anaheim and
Los Angeles performances. Get detailed
information at your Personnel, Recreation
or Special Services office.

Left: Artist’s rendering of Cinderella’s
Castle at Walt Disney World.

Wait [*%)isney World

Walt Disney often dreamed of
building a “living showcase” of the
American free enterprise system, a
showcase so dynamic and alive that
it would probably be the most talked
about project in the world. Today,
this project is called Walt Disney
World, and, by October, 1971, the
first phase of it will be open to the
public.

“Phase One’ of Walt Disney World
is a complete, theme-oriented, desti-
nation vacation resort for the entire
family. Built along the shores of a
lake and lagoon 15 miles southwest
of Orlando, Florida, this total world
of recreation features not only a
theme park similar in size and con-

When “Phase One” opens in October, 1971, the Everglades State will possess a ‘theme- oriented vacation resort for the whole family.

cept to Disneyland, but also three
professional golf courses, endless
waterways for boating, sailing, skiing,
and recreational fishing, camp site
accommodations, motels, and five
“theme resort” hotels.

The hotels are called ‘‘theme
resorts’ because everything from
interior decor to employees’ cos-
tumes and dining room menus carry
out an overall theme. The first of
these to open, the 1057-room Con-
temporary Resort Hotel, features a
90-foot ceiling and a spectacular
open-mall lobby longer than a foot-
ball field. Silent, all-electric Walt
Disney World-Alweg Monorail trains,
on their way to the theme park and

other hotels, will travel through its
gigantic main tower lobby to the sta-
tion inside. Shops, boutiques, cafes,
and restaurants ring the mall, and
atop the roof, a glass-walled pent-
house restaurant and cocktail lounge
overlooks Central Florida lake
country.

Other theme resort hotels in
“Phase One” include the Polynesian,
Venetian, Asian, and Persian. Each is
a complete vacation complex with
swimming pools, private beaches and
docks, convention and sales meeting
rooms, show lounges, and unique
dining facilities. All will be inter-con-
nected by a network of monorail

trains, boats, and surface vehicles.
Continued

5

1. Tailors Valentine Hauerwaas (left) and

Abe Shlacow study designs during the

tailoring of costumes jor all 37 P:

dents appearing in the “Hall of Pi

idents” presentation in Liberty
Square.

2. Designers like Bill Martin,
art director at WED Enter-
prises, Inc., studied all of
Europe's famous palaces in

developing Cinderella's

Castle.

iin

3. Where the Disneyland
castle's main inspiration

came from English and Ger-

man palaces, the Walt Dis- :
E i ney World castle's design

j goes back more to France

T where the story of the Glass

= Slipper originated.

Ti

4. Liberty Square will re-
create America’s past at the
time of our nation's founding.

ee Hee

5. The Contemporary Hotel fea-
tures space-age technology, totally
new modular steel room construc-
tion, and unrestricted design patterns.

phy oe 6. Silent, all-electric, Walt Disney

Construction for “Phase One” of Walt > 4 World-Alweg Monorail trains will carry
Disney World is well under way. Here, ae guests to and from each of the hotels, the

work is being done on Cinderella's Castle. theme park, and Transportation Center.

The $300 million ‘Vacation King-
dom” is already $90 million past the
dream stage. For example, pilings for
the Contemporary Hotel are in place;
the excavation of the 200 acre, man-
made lagoon is complete; two of the
18-hole, championship golf courses
are under construction; forty miles
of water control canals have been
built; 55,000 trees and shrubs are
growing in the Horticultural Center
for later transplanting throughout the
“Vacation Kingdom’; and the build-
ings to house Main Street's quaint
shops, arcades, and cafes are in the
final stages of steel framing.

The theme park for Walt Disney
World features six realms: Main
Street, Adventureland, Frontierland,
Fantasyland, Tomorrowland, and
Liberty Square.

Cinderella's Castle, a showpiece of
French architecture with gold-crested
spires soaring nearly 200 feet into the
air, highlights Fantasyland. In addi-
tion to forming the entrance to the
magic land of fantasy, the castle also
houses a dining facility. Visitors travel
to the parapet-level restaurant on
two of the six elevators in the castle,

then dine beneath a stained glass
dome in an atmosphere of old world
royalty and grandeur.

Tomorrowland features a fleet of
Captain Nemo’s submarines that take
guests on an undersea journey to the
lost city of Atlantis, and Frontierland
features “Thunder Mesa,” a spectac-
ular panorama of the Old West.

Among the new “Audio-Anima-
tronic” attractions planned for Walt
Disney World are the “Country Bear
Band,’ ‘‘Mickey Mouse Revue,’’
“Western River Expedition,’ and
“One Nation Under God.”

The “Country Bear Band” is a foot-
stompin’ country and western hoe-
down starring the zaniest troupe of
bears ever assembled. They sing,
swing, and strum their guitars in the
finest tradition of lively, western
music,

The “Mickey Mouse Revue” is an
amusing visit with 60 of the famous
characters from Walt Disney films.
Mickey Mouse, Snow White and the
Seven Dwarfs, and the Three Cabal-
leros are some of the many charac-
ters that appear on stage “in person”
to sing the songs and play the music
from popular Disney films.

Frontierland’s ‘Western River Ex-
pedition” is a musical parody of the
wild, woolly West in which boat-
riding explorers come face-to-face

with cowboys and Indians on the
grand scale of Disneyland’s ‘Pirates
of the Caribbean.”

“One Nation Under God,” located
in Liberty Square, is an inspiring
dramatization about the American
Constitution and the 37 presidents
who have led this nation. In the
finale, the chief executives appear
together on stage in the Hall of
Presidents presentation.

The Disney property in Florida en-
compasses approximately 27,000
acres — an area twice the size of Man-
hattan Island, or about the same as
the city and county of San Francisco.
“Phase One” is scheduled to open
next year, but that’s only the begin-
ning. Also planned are an “airport of
the future,” an industrial park de-
signed to highlight American industry
at work, and EPCOT — an Experimen-
tal Prototype Community of
Tomorrow.

Like Disneyland, Walt Disney
World will never be complete. Octo-
ber, 1971, is just the beginning of a
never-ending showcase of new ideas
in entertainment, industry, and com-
munity living.

s

? Periutiie ¢ Pr

oF AM

Walt Disney World’s Preview
ter, located 15 miles southu
lando, Florida, at the intersection of
Interstate Highway 4 and State Route
53, is giving visitors a glimpse of what will
soon become the “vacation kingdom of the
world.”

Focal point of the Center's presentation is
a detailed, 625-square foot model of “Phase
e,” showing lakes, woodlands, the theme park,
, golf courses, and various recreation facili-
ties. A colorful motion picture in the central theater,
artists’ conceptions of the project’s many adventures,
and construction progress photographs complete the
presentation

The Preview Center is open every day from 9 a.m. to 5 p.m

Disney’s Educational Materials Company =< |
makes teachers more popular than recess. :

One of the longest-running battles on the face of the earth began with a simple sentence: ‘You've

got to learn how to read.” It marked the beginning of formal education, that never-ending struggle <
between the learned and the learner.

Every civilization has tried to pass on something important to their children. The ancient Egyptians
thought reading and writing most important; the Greeks, a well-rounded education; the Romans,
the seven liberal arts; the Medievals, religion; and modern man, a little bit of everything. But no
matter what they tried to teach, they all had the same problem: encouraging their children to learn
Probably the only people ever exempted from the problem were cave men.

su5 cen
LS OBL

The misty, beast-filled darkness
that welcomed earth’s first man must
have been a natural for education. It
showed man and his children that
they must learn how to hunt, kill, and
defend themselves if they were to
survive. People were interested in
learning because their lives
depended on it. With the advent of
formal education, however, things
changed. Peoples’ lives didn’t
depend on their ability to read, and
their hunger wasn’t satiated by writ-
ing. Teachers might know the
importance of education, but stu-
dents didn’t, and, therefore, they had
to be encouraged to study. It was at
this point that punishment entered
the picture.

Punishment has been education’s
bedfellow since the first student
uttered the words, “Why do | have to
study that dumb stuff?” Man discov-
ered that, for some odd reason, a
student finds an extra surge of vigor
when threatened with punishment.
Of course, sometimes this encourage-
ment got carried to extremes. For
example, some parents weren’t above
beating their children with whips for
not mastering the New England
Primer, Today, though, punishment
is taking more of a back seat. Man
has found that a child’s interest is a
far better motivator.

According to Carl Nater, head of
Walt Disney Educational Materials
Company, “If you can get a student's
attention — get him interested, you're
halfway home. Once you have it,
he'll be more likely to learn what
you're trying to teach.’”

1. A simple safety rule like vy;
“wait your turn” can involve
awhole classroom in

discussion when presented
visually.

The projector for 8mm.
‘ingle Concept Films is light
and easy to use. To load,

all you have to do is pop

in a cartridge.

3. In Donald in Mathmagic
panes Donald learns that

8mm Single Concept Films
give teachers and students a
front-row seat. Here, polar
bears are seen romping in

ow, a spider wasp

ins deadly combat with a
tarantula, and a bobcat
voices a warning to an
approaching foe.

That’s the reason why Walt Disney
formed the Educational Materials
Company, to make education inter-
esting and entertaining. For example,
mathematics has never been the same
since Donald Duck stumbled on to
the screen in a world of numbers
called “Mathmagic Land.”

One of the more than 125 films
listed in the Company's 16mm Edu-
cational Films Catalog, Donald in
Mathmagic Land is designed to create
in students a new appreciation of the
value and importance of mathematics
in our daily lives

Donald, the fearless hunter, finds
himself in a strange forest of numbers
where the trees have square roots,
the birds have geometric shapes, and
an odd-looking creature called a
“pencil bird” leaves a trail of number
footprints as he walks backward.

Donald discovers that the octave in
music has a ratio of two to one and
that the musical scale of today devel-
oped from this harmony in numbers.
He learns why the Greeks admired
the “golden rectangle” and consid-
ered it to represent a mathematical
law of beauty.

He’s surprised to discover that
practically all games are played on
geometrical areas. For example, base-
ball is played on a diamond; football,
on a rectangle divided by yard lines.
Basketball is a game of circles,
spheres, and rectangles, and billiards
is a game played on a field of two
perfect squares using perfect spheres
and a lot of diamonds. Even in chess,
the moves are mathematical because
the board is geometrical

Continued

The 26-minute film teaches the student an important lesson, that
mathematics is truly the basic foundation of all the arts and sciences,
yet it teaches in an entertaining way.

“For too many years, anything that was considered to be ‘educa-
tional’ just had to be pretty dull and deadly,’” remarks Nater, “but,
to coin an expression, ‘times have changed.’ Today, the teacher has
a vast array of audio-visual aids at her disposal, and, with minimal
effort on her part, she can make the learning experience a pretty
exciting thing.’””

In addition to its 16mm program, the Company also offers 8mm
Single Concept Films, 35mm Film Strips, Study Prints, and Classroom
Listening Experiences. All are designed with the same end in mind:
to make education as interesting and entertaining as possible and to
hold a student's attention

Unlike the 16mm films, which cover a subject completely, the 8mm
Single Concept Films give the teacher and student a chance to con-
centrate on particulars. They eliminate the need to sit through a full-
length film just to view a certain part. And, to make them easier to
show, the films are mounted in a continuous loop within a cartridge
or “cassette” and can be projected by a lightweight, portable projec-
tor that needs no threading.

The Company's 35mm Film Strips feature top animation and live
action photography, as well as sound tracks containing full orches-
tration, sound effects, and the performance of famous professional
actors. All are in full color and cover such subjects as American
history, literary classics, nature studies, and adventures in music.

“Study Prints’ were developed primarily for the elementary grades.
They are fully illustrated and deal with art, travel, and pedestrian,
bicycle, and school safety.

“Classroom Listening Experiences’ develop a child’s listening ability.
Through interesting stories and music, a child learns to interpret
what he hears, one of the first steps in the education process.

According to Nater, “There’s no reason in the world why most of
education cannot be accomplished in an entertaining manner.” If
that’s true, then maybe we'll see the day when one of the world’s
longest-running battles becomes nothing but a skirmish, and young
people the world over will be so eager to learn that punishment
won't even enter the picture. ¢

Study Prints are valuable teaching tools. They are
beautifully illustrated and cover a variety of sub,
set, on primitive communications, traces man’
communicate with his fellow man

Y

Walt Disney Studio’s new motion picture,
The Boatniks, is dedicated to Sunday sailors
everywhere — those fun-lovin’ individuals
who, every weekend, grab picnic lunches,
tackle boxes, wives, children, and neighbors
and head down to the harbor.

Filmed at Newport Harbor, one of the
busiest small boat harbors in the world, it
depicts how easy it is for weekend sea dogs
to churn a quiet harbor into a wave-torn
freeway.

Into this scene of utter chaos comes an
accident-prone ensign assigned to take
command of the harbor’s Point Loma Coast
Guard Cutter. His life, a series of bungling
mishaps, proves to be no different in his
new job. He spills paint on an attractive
young proprietress of a boat rental service,
is rescued more than he rescues, and is
suspected of being a “Peeping Tom” by the
station commander's wife.

To add to his troubles, three jewel thieves

DISNEY FiLiy
anew OMe Youp hi ag une
AY THI

Station Commander Don Ameche (left) tries some
encouraging words on young ensign Robert Morse.

find all land exits to Mexico blocked by
the police and decide to make it by sea
from Newport Harbor. They cross paths
with the young ensign so many times that
he finally becomes suspicious, and the
chase is on. The result is one of the largest
traffic jams in the history of the sea, ending
on the deck of the Dolce Vita, where New-
port’s number one playboy is hosting a wild
cocktail party. From there, the thieves make
it to a seaplane via a two-man sub and acci-
dentally toss the stolen jewels over in an
effort to make the plane light enough to fly.

Robert Morse plays the luckless but finally
triumphant ensign, and Stefanie Powers is
the young, paint-splattered proprietress
who eventually falls in love with him. Phil
Silvers, Norman Fell, and Mickey Shaugh-
nessy are featured as the jewel thieves, and
Don Ameche plays the station commander.
Newport's number one playboy is played
by none other than Wally Cox.

Five o'clock on the freeway? No, just _
a Sunday afternoon at Newport Harbor in and Phil Silver
a scene from “The Boatniks. Midori to retri

Thieves Norman Fell, Mickey Shaughnessy,
k Japanese pearl diver
ve the sunken jewels.

—

THIS YEAR, IT’S SUPER SUMMER

Disneyland is celebrating its 15th
Anniversary this year with a Super
Summer—a summer filled with an
exciting new look in entertainment.

Appearing on the Tomorrowland
Stage is a fast-paced, 45-minute musi-
cal tour of the United States called
“Show Me America.” Featuring an
18-member cast and over 75 colorful
costumes, the show will spin you
through a wild, hectic tour of one of
the world’s greatest tourist attractions
—the U.S.A.

On your way, you'll be introduced
to a kooky cowboy, a disgruntled In-
dian, a crooked, small-town politi-
cian, a trio of hillbilly recording stars,
and other comical American charac-

ters. “Show Me America” is filled
with song and dance numbers and
comedy routines, and it appears Mon-
day through Friday throughout the
summer.

Coca-Cola’s Tomorrowland Ter-
race features an all-new rock show
called “The Scene.” Complete with
strobe lights, dancers, and Disney-
land’s own “Sound Castle,” the show
features a ‘‘new look” every time the
group begins a set, as costumes and
numbers are changed for each ap-
pearance. ‘‘The Scene” appears
Monday through Saturday.

In addition, Harry James, Sammy
Kaye, and Tex Beneke and the Mod-
ernaires are just a few of the big

bands that will be appearing nightly
throughout the summer for your lis-
tening and dancing pleasure in the
“Fantasy Ballroom.”

Of course, no Disneyland summer
would be complete without Teddy
Buckner, the Royal Street Bachelors,
the Delta Ramblers, and the Young
Tahitians, as well as a host of Disney
characters and Disneyland’s many
adventures and attractions. Even
Tinker Bell will be on hand every
night at 9:00 p.m. to fill the sky with
bursts of fireworks.

Join the fun at Disneyland during
our 15th Anniversary summer. It’s
going to be super! @

iS

WEY..WHAT

Time. Its passage has fascinated
man since he first realized that night
divides day. And, from the outset, he
has tried to find ways to measure it.

Today we've been spoiled by time-
measuring mechanisms of remark-
able accuracy. For example, modern
atomic clocks define a single second
as 9,192,631,770 vibrations of cesium
atoms, and their precision is guaran-
teed to within a few seconds for
100,000 years. That’s even more accu-
rate than an electric Mickey Mouse
watch!

But such exactness is a product of
millenia. Early man enjoyed some-
thing less.

When shadows were short, our
prehistoric ancestors knew it was
near lunch time.

14

By Jim Conti

Our prehistoric ancestors relied on
Mother Nature’s timekeepers. The
rotation of the earth provided the
simplest and most obvious unit of
measurement, the solar day. The sea-
sons roughly indicated the length of
the solar year. And lunar months —
the periods between successive full
moons — were used as an intermedi-
ate measurement. They later became
the basis of some of our earliest
calendars.

To estimate intervals of the day
itself, man learned to measure
shadows cast by trees. When shadows
were short, “clock-watchers” knew
it was near lunchtime. When shadows

©
Us

Although more accurate than tree
shadows, sundials still depended on the
sun. Clouds could make them useless.

MICKEY

MOUSE D*

were long, the day was either begin-
ning or ending.

Using this same principle, man later
developed the sundial. But, like the
early tree-watchers, sundial users
depended on Old Sol, and without
him their “timepieces” were useless.

Enter the water clock. And the
hourglass. And the candle.

The Chinese water clock, which
was used 3000 years ago, measured
the flow of liquids from one vessel to
another. Hourglass watchers meas-
ured the flow of sand—and some-
times mercury —from container to
container. And early Anglo-Saxons
“told time’’ with marked candles,

Hourglasses were accurate timepieces,
but if you had to get to work on time
in the morning, somebody'd have to
“tend the clock.”

noting the length of intervals between
burnings from notch to notch.

The first device which could be
called a clock — at least as we know
it — appeared in the 13th century.
It had wheels, a dial, and an hour
hand. And it may have been the only
“simple” clock man ever made.

During the last several centuries,
clocks have exceeded mere utility,
achieving distinction as art. European
cabinetmakers, especially, have ex-
celled in the creation of ornate cases
— everything from elegant ‘‘grand-
father” cabinets and church towers to
sculptured metal and marble urns.

Man soon tired of having just an
ordinary, everyday clock. He wanted
something he could show off to

his friends.

every 15 minutes.

The clock which fronts Bank of Amer
Small World” in Disneyland “perjorms

The “curious” has found its way
into clocklore, too. Today, man has
armed his timepieces with sound:
buzzers, bells, bongs — even wooden
birds that “cuckoo.”

But, certainly, no clock is so
unusual as the one which fronts the
entrance to Bank of America’s “It's
A Small World” in Disneyland. Tow-
ering 30 feet above the ground, this
imaginative timepiece actually “per-
forms” the time every 15 minutes.
The spectacle begins as a frenzy of
sounds and activity — gears, cogs,
springs, and other clock parapherna-
lia come to life. Drums roll, trumpets
blare, doors open. And suddenly, 24

Today, clocks not only tell you the
time, they also wake you up to music
and start your morning coffee.

figures of internationally-costumed
children—one for each hour—march
forth in a gala “parade of toys.” Again
the drums and trumpets sound. Tum-
tah-dah. And, as correct-time buffs
ready their watch stems, two jesters
appear and strike the exact quarter-
hour being signaled by colorful
numerals in the doorway.

Man has come a long way since his
shadow-watching days. He no longer
must run to the backyard to check
the time —he carries it on his wrist.
But progress has its price, too. Next
time you're late for work, envy the
shadow-watcher. His boss never
knew the difference. @

15

NEW CONCEPT
IN LIVE ENTERTAINMENT

DISNEY ON PARADE, the happiest show ever to
play arenas, is coming your way. Critics agree that
it's family entertainment at its best.

TIME MAGAZINE had this to say about the opening

performance in Chicago ..

“Naturally the show has everything. Dancers. Acrobats.
Aerialists. A motorcycle act. Twenty trained dogs. Live
music. Recorded music. More than 500 costumes, con-
structed out of 3,000 yards of material, 892 Ibs. of beads
and 3,000 miles of sequins and glitter. And MONEY:
over $2,000,000 of it."

CHICAGO TRIBUNE .

The greatest show on earth isn't that circus anymore
— it's DISNEY ON PARADE.”

CHARLOTTE OBSERVER
“It's a rare two hours of sweetness, and laughter, and
light.”

DETROIT NEWS .

“Cinderella is acted out in a production number that
even out-dazzles the lavish ice shows. The Dumbo Cir-
cus is one of the biggest attractions of the show as
aerialists, clowns and creatures of the jungle cavort.
And, of course, Dumbo learns to fly.”

PITTSBURGH POST-GAZETTE. .

"You can do yourself two favors this week. You can see
DISNEY ON PARADE and you can see it with a child,
preferably one you love.”

ST. LOUIS POST-DISPATCH .

“A crowd of 10,502 persons saw an enchanting con-
glomeration of magical whimsey, fantasy and shrewd
showmanship.”

PHILADELPHIA DAILY NEWS .

“They cheered the good guy (Mickey Mouse) and booed
the bad guy (the dogcatcher who tried to impound Pluto),
just like the kids of an older generation used to do at
the Saturday matinee. For parents it was a nostalgic
treat (even some of the cops on duty sneaked in for a
glimpse of the show). For the kids, it was just a good
time, a really good time.”

OTTAWA, CANADA JOURNAL...

"The first act wind-up is a spectacular Dumbo circus.
Aerialists, tight-rope cyclists, dancing bears, jugglers,
clowns, animals and assorted colorful characters vie for
the attention and praise; it is an eye-filling sequence
and the children and adults loved it.”

NEWPORT NEWS, VIRGINIA TIMES-HERALD ..
“DISNEY ON PARADE is a new concept in entertai
ment. It's not a variety show, it's not a Broadway extrava-
ganza and it's not a three-ring circus — yet it includes
a little of each of these, along with Saturday morning
cartoon time and even a glimpse of Las Vegas chorus
lines for the adults.”

And, best of all... Magic Kingdom Club members
get a special discount for the Anaheim and Los
Angeles performances. Your Personnel, Recreation
or Special Services office has detailed information
regarding this extra value.

It's a great show .. . don’t miss it!

Club Manager

16

DISNEYLAND, Anaheim, Calif. * MAdison 6-8605, KEystone 3-4456

Disneyland

SUMMER 1970

MAGIC reac adsiien
KINGDOMCLUB % @ % & % "a"
Box Office
‘SPECIAL 12-RIDE BOOK Value Price
ADULT .. $4.75
JUNIOR (12 through 17; $4.25
CHILD (3 through 11)... $3.75

NOT AVAILABLE TO THE GENERAL PUBLIC
Summer Special Ticket Books and Prices Effective

Through September 13, 1970
‘on REGULAR TICKET BOOKS

COUPON MAKE-UP
Bs eh JD

E Admission
We 25¢ 40c 70c 85¢ Ticket
10Ride 1) () (2) 3) 3) a
15-Ride @) @) =) @)) a
Box Office
10-RIDE TICKET BOOK Value Price
ADULT .. ecoecensin .-($9.30) $4.95
JUNIOR (2 hrougi P 5. $4.45
CHILD (3 through a, $3.95
15-RIDE TICKET BOOK
ADULT $5.95
JUNIOR $5.45
CHILD (3 through aD. $4.95

SPECIAL INFORMATION...

One leader to be given Free ADMISSION ONLY when accompanying group of
15 children and juniors purchasing ticket books (commercially-sponsored
groups excepted).

Group Services Office MUST be contacted two days prior
‘to the trip to Disneyland to confirm final arrangements.

ONE PERSON must pick up the ticket books at the “Pre-Arranged
Groups” window and distribute them to the group.

PHONE: GROUP SERVICES — EXTENSION 516

GENERAL ADMISSION ONLY

Entitles guests to admission to Disneyland, its free shows, exhibits, and
entertainments, and to visit five “lands” and Main Street.

. $3.50

ADUL'
JUNIOR (12 thru 17:
CHILD (3 thru 11) ..

$2.50
‘575 ey

SO THAT YOUNG PEOPLE may become better acquainted with one of the
greatest figures in American History, all Disneyland visitors 17 years of age
or under are invited to be guests of Walt Disney Productions, to spend a few
GREAT MOMENTS WITH MR. LINCOLN. A complimentary admission is
included with each main entrance ticket, for Juniors and Children.

PRICES SUBJECT TO SEASONAL VARIATION

THE MAGIC KINGDOM €LUB CALENDAR

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY

OPEN 10-7 OPEN 10-7 OPEN 10-7 OPEN 10-7 OPEN 10-7 OPEN 9-1
OPEN 9-10 OPEN 9-10 OPEN 9-10 » OPEN 9-10 OPEN 9-10 OPEN 9-10 OPEN 9-1

et oa Grad Nite Grad Nite Grad Nite
OPEN 9-10 OPEN 9-10 OPEN 9-10 OPEN 9-10 OPEN 9-10 OPEN 9-10 OPEN 8-1
17 OPEN 8-12 99 OPEN 8-12 23 OPEN 8-12 24 OPEN 8-12 25 OPEN 8-12 26 OPEN 8-1 2] OPEN 8-1
28 OPEN 8-12 24 OPEN 8-12 30 OPEN 8-12

JULY 1970

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY

1 OPEN 8-12 ? OPEN 8-12 3 OPEN 8-1 |
5 OPEN 8-1 fi OPEN 8-1 ] OPEN 8-1 8 OPEN 8-1 g OPEN 8-1 N OPEN 8-1 Il OPEN 8-1
1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 81 OPEN 8-1
ey

OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1
|
ri OPEN 8-1 2] OPEN 8-1 28 OPEN 8-1 24 OPEN 8-1 30 OPEN 8-1 31 OPEN 8-1
——— ee

AUGUST 1970

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY

1 OPEN 8-1
? OPEN 8-1 3 OPEN 8-1 ] OPEN 8-1 5 OPEN 8-1 6 OPEN 8-1 ] OPEN 8-1 8 OPEN 8-1
) OPEN 8-1 10 OPEN 8-1 Il OPEN 8-1 1) OPFN 8-1 13 OPEN 8-1 14 OPEN 8-1 5 OPEN 8-1
16 OPEN 8-1 1/ OPEN 8-1 18 OPEN 8-1 19 OPEN 8-1 0 OPEN 8-1 | OPEN 8-1 ) OPEN 8-1

23 opener | 24 openea OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1 OPEN 8-1
ows tows 0 (0 2 8 8
_—————————

Disneyland
1313 Harbor Blvd.
| Anaheim, Calif. 92803

IF UNDELIVERABLE
DO NOT RETURN

See 1

x5

THE MOST SPECTACULAR SHOW
EVER TO APPEAR ON AN ARENA FLOOR!
Special Discounts to MKC members for
Anaheim and Los Angeles performances.

San Diego — June 2-7 Los Angeles — June 10-28
Anaheim — Starting July 1 for extended summer run